The Green Wave

February 28, 2010

Mistakes

Filed under: Music, Poetry, Spirit, Storytelling, Writing — kate @ 2:43 pm

I woke up thinking about mistakes because – well, you guessed it – I’ve made a spate of ‘em recently.  At a concert on Friday night, I bungled some harp parts.  I tripped over a wire.  I forgot an important (and funny) detail in a story I told.

Was the performance ruined?  No, it wasn’t.  And did I do do other things well?  Yes, I did.  But what woke me up this morning?  The memory of my mistakes.

I make mistakes all the time, but only some of them rankle.  In my Irish classes, I regularly forget a word or mess up a spelling.  As a writer, I occasionally revisit my essays or poetry and find something that is over-written or factually wrong.  In my performing life, I miss notes, chords, words, and even whole verses from time to time.  But many of these mistakes are easy to laugh off, excuse, or forget.

So why do some mistakes feel so important?  Why do some of them char into memory and leave that awful burned smell in the mind?

I recognize the big-deal variety by the kinds of things I hear in my head:

  • I should be past that by now.
  • I should have known that.
  • I can’t believe I did that in front of her.
  • Now they’ll think they wasted their money.
  • Now they’ll know I’m nothing special.

The killer mistakes – or the ones we allow to turn into killers – are rooted in shame and vulnerability.  We feel we should have known that fact, or that we should be beyond getting so rattled by a funky microphone, or that a really good musician doesn’t make such slips.  From there, it’s only a short step to:  “I know less than I should know.  That means I only appear to be an authority.  That means I’m a fraud.  That means that I’m deceptive.  That means that I’m worthless.”

Ouch.

The other kind of mistake is more like a sneeze than a deadly virus.  I recognize them when I hear these things in my head:

  • Well!  That was silly!
  • Gracious, I’m just tired tonight.
  • Oh, well, I didn’t hear her right is all.
  • Oh!  Now I understand!  They wanted this and not that.  That’s easily fixed.
  • No biggie.  Anyone could forget a thing like that.

These mistakes seem unattached to me somehow.  They are simply a part of the weather – external, natural, changing, neutral.  I don’t take them to heart.  Yes, they are often smaller (like missing a single letter in an Irish word, as opposed to forgetting a pivotal concept), but they don’t touch my self-respect or my notion of myself as competent and worthy of people’s trust.

So the big difference between the ranklers and the non-ranklers is my own idea of who I am and who I should be.  Like so many things, this is a story I tell and a style I choose for telling it.

I could tell a new story about a woman with a huge thirst for life who takes on millions of creative, artistic, and scholarly projects.  I could say that this thirst for life is more important than being right all the time.  This desire to use all the gifts and try out the wings and test the skills necessarily means there will be some mistakes and failures.  I could gently pry away the shadow of shame by respecting the attempt more consciously.  I could re-imagine mastery as a fluid process, rather than as a static destination.  I could decide that mistakes are the buds that flower into something new.

Even as I sometime writhe over my mess-ups, I’ve always believed it important to live a life marked as much by mistakes, attempts, and experiments as by success, achievement, and mastery.  Otherwise, one’s tenancy on Planet Earth is rather dull and uneventful and we never even try to use all the fantastic equipment we came with.  Living that way is like falling out of an airplane and refusing to pull the parachute ripcord because it might not work.  There are many things worse than failing.

Not failing, it turns out, is one of them.

And since I’m in no danger of that, I’m a success!

5 Comments »

  1. everybody makes mistakes. that’s a given. but not everybody knows how to connect to another person or an audience & make them feel special. these charms above all else separates the wannabes from the true hearted best of the best. even when you don’t feel tops your audiences are enchanted by you because you reach out to them & your connection to them is deeper than mechanics, logistics & mess-ups. people don’t remember what you say. they only remember how you make them feel.

    Comment by L Pass — February 28, 2010 @ 3:21 pm

  2. That’s a great touchstone – how we make our audiences feel. I love that! Again, there’s our opportunity to think about what we can do for these people who honor us with their time and attention and money – and it certainly takes the emphasis away from perfect, mistakes-free performances. I’ve seen brilliant, established performers forget their words, start over, bungle a chord, and still make us feel wonderful and included. In fact, it’s almost better when they do trip over something because they’re so charming in getting up. Thank you, dear friend, for your encouragement and your ideas and experience.

    Comment by Kate — March 2, 2010 @ 2:28 pm

  3. Beautifully said and Amen to acknowledging… moving on from and eventually lauging, learning from and even embracing mistakes we make in this life Kate!

    Thank you for these important words we need to remember about our human-ness …of how we live and learn and move beyond in this life.

    Comment by cheryl — March 3, 2010 @ 11:48 am

  4. “I could re-imagine mastery as a fluid process, rather than as a static destination.” Wonderfully said!

    Comment by Anonymous — March 3, 2010 @ 4:18 pm

  5. There were mistakes? I was there and hadn’t noticed. I suspect that the majority of the audience didn’t notice, either! All I know is that I heard some fantastic music and wonderful stories! Well-done! (as always!)

    Comment by Anonymous — March 3, 2010 @ 6:06 pm

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