The Green Wave

October 27, 2008

How do you know when a song is finished?

Filed under: Music — kate @ 7:56 pm

Well, ordinarily I’d say: you just know. But that’s not always true. Today, for example, I found myself messing around with a song I thought I’d finished this summer. There under my fingers was a nice little interlude that brings a new sentiment into the song – a sentiment that the song itself seemed to welcome. Hmmm… I thought. This belongs here. So that opens up all kinds of questions about what to do next with this song.

Happily, I have time right now to follow these trails wherever they may lead – to scramble verses and pursue the promise of this interlude, and really to re-think the whole thing. On the one hand, I think: Why rush? Why put a song into the world until it’s just right? On the other hand, I think: But what a great, hook-y, chorus! Why hold it back from the world when it’s already so alive? I guess if I’m going to err on any side, it will be on the “hold it back a wee while” side. I just read a quote from an editor who said that novelists who really work on their books produce one only every four or five years. The trend of the once-per-year publication only holds true for quick stuff, she said.

That made me think about the difference between the songs that spill out as beautiful gifts and those that you chisel into form. I remember Dylan Thomas (whose birthday is today, by the way) once told a younger poet that she’d be better off crafting a sparse handful of poems than spattering out a few dozen mediocre ones.

On the other hand, I’m a great fan of children’s creativity – that immense, confident, regular production of pictures, plays, jokes, stories, that simply roll out with any chiseling. There is no waffling about whether the piece d’art is done or not. Hot off the press, it is fastened to the refrigerator, making way for the next great creation.

I was going to say that I’d lost this ability, but I’m not so sure. Whatever my mind thought about it, my fingers knew something was not quite right with my song, because they went to work on it today without my conscious knowledge of their plans. And if there’s one thing I trust it’s the instincts and knowledge of our muscles: those twitches and wanderings, those joyous dances that erupt as if from nowhere. In the end, maybe we don’t have to be so sure of things. Maybe we can rest assured that we know when a song (poem, play, story, picture…) is UN-finished – and then step out of the way to let muscles, fingers, instinct, and the song itself collaborate to do the rest.

October 19, 2008

A Poem for Singers

Filed under: Music, Poetry — kate @ 3:15 pm

The One Who Won’t Stop

If you begin singing and someone dashes in
and says in a hushed, officious whisper
that they’re bothered in the next room,
don’t stop singing.

If you begin singing and someone sketches
a zipper across their unsinging lips
as if to say you should zip up the song,
don’t stop singing.

If you begin singing and someone insists
that there is a war on, that gas prices forbid it,
that your songs costs double in folly,
don’t stop singing.

If you begin singing and someone seizes
you by the throat, sets your clothes ablaze
or bombs the house in which you sing,
don’t stop singing.

Don’t stop singing, they beg you
through these obstructions. Please,
they plead through these objections,
be the one who won’t stop singing.

They make it hard to continue
because they hope you won’t stop.
Knowing your value, they imply
you are worthless.

The singers in them exhort you:
don’t stop singing.
Be the one who won’t stop singing.
Be the one who sings.

Kate Chadbourne
30 April 2008

October 12, 2008

Singers Not Singing

Filed under: Music — kate @ 1:25 pm

I know: a contradiction. A philosophical impossibility! And yet, it happens all the time.

This week I read a letter in Cary Tennis’ excellent column in Salon from a 29-year-old woman who wishes to be a singer. She has spent the last decade or so waitressing, doing a little college and then dropping out, plunging into various love affairs and then falling out again. And now, on the cusp of 30, she has begun to worry that it is too late, that her life should have been sorted out by now, and that her desire to be a singer may never be fulfilled.

Leaving aside the fact of her relative youth – I write this as I teeter on the cusp on 40! – I could have answered her letter quite simply: Well, then, SING. Sing in the shower, sing in the car, sing to your customers at the restaurant, sing on the street corner. Call the local nursing home and ask if you can come in to sing for a half hour. Go to an open mike. Sit in the park and sing. Sing to the pigeons, the clouds, the trees. Sing even to your loneliness, to your fear that you’ve wasted your life, to the big round number of your next age.

Singers need to sing. This is primary. When they don’t sing, things go kerplunky, frazzlish, snigglemarled. All the strings and wires that should hang straight and taut, curl into coils that snarl around your ankles and trip you up as you head to the closet. The phone rings and it sounds like an owl screeching. Your ability to judge and think and plan becomes as bent as the refracted image of a straw in a tall glass of lemonade. So you must first, before anything else, just sing yourself a lullaby, a child’s rhyme, a verse from “Annie,” a few bars of “Stairway to Heaven” – whatever you fancy.

(Or, make it up. Invent a spontaneous libretto about a waitress who wishes to uncage her soul and sing for the world. Don’t worry about writing it down. Just let it pour out, and enjoy yourself.)

Cary Tennis and the people who write responses on the message board focused some attention on how this young woman might get a decent musical education. She should move out of Mama’s house, they advise, and move to where the best teachers, coaches, and university programs can be found. There is much merit to putting yourself where the action is. Yet, I think this is adding steps to what is really quite a simple action plan: Sing.

Unless, of course, this isn’t what you really want. When you say or write the words, “I want to sing,” you may actually mean, “I want to be famous, admired, and well-dressed because I can sing.” Well, that’s another thing entirely. If that’s the case, then you’d better hop on your eliptical trainer, buy yourself some fancy duds on credit and prepare yourself to stand in some pretty long audition lines. If that’s the case, you’ll need to cultivate contacts, make an action plan, do a fair bit of schmoozing, and a whole lot of other things that have little if anything to do with singing.

I spoke with a friend about this yesterday. She, too, wishes to sing – but doesn’t. She has one of the most glorious voices I’ve ever heard, but I suspect she is “saving it for best,” rather than using it every day. She is waiting to be discovered and drawn out, to be booked for great gigs, and recognized for her amazing natural talent.

She is on the cusp of 60, and she is still waiting.

It’s true that if there were any justice in this world, she would be recognized for her talent. This is true of literally dozens of fine artists, writers, poets, and musicians I know: the people who should be famous but aren’t. But so what? That is just a bit of window-dressing, really. To my mind, it’s a sign of madness to run headlong at “the way things are,” hoping to use the blunt instrument of your skull to transform it into “the way things should be.” You only succeed in hurting your head (and your heart). Believe me, I’m not saying that we shouldn’t try to gain rewards for our art, or fame, or any of the other lovely fripperies that can decorate the life of an artist.

But I am saying that those things really ARE fripperies, of secondary or tertiary importance. We’re lucky when we get them. We rejoice!

But the first thing, the primary thing, the thing that keeps you clear-headed and self-respecting, the thing that lets you know that whatever else the outside world is doing, the inner world is right on track – that is, simply to do your thing.

When I was just about the same age as the young waitress-singer, I wound up singing in a pub in Sligo, Ireland. There was a “hen party” (wedding shower) in progress, and the girls very warmly opened up their party to include me. Once they learned I could sing, they asked me again and again to share songs. At the end of the night, one of them held both of my hands in hers, looked in my eyes, and said, “Kate. Don’t waste your life. You must sing.”

Singers, please, don’t wait for 30, 40, or 60. Don’t waste your lives. You must SING!

October 5, 2008

Begin Again

Filed under: Poetry — kate @ 2:32 pm

It has been a marvelous time for poetry, with the promise of even more great pleasures to come. I was thrilled and delighted to hear Seamus Heaney read at Sanders Theatre this week, and especially to hear him read a cycle of new, unpublished poems that sets Book 6 of the Aeneid in Northern Ireland. His voice is marvelous, and the poems take you into people’s kitchens, down into hell, out on the wild roads and into the bus station in Magherafelt. He was not simply a poet in this reading, but a conductor, a pilot, a guide on the path. And then there is his contention that life can be summed up this way: Get Started. Keep Going. Begin Again. Those words have rung in my mind and heart every day since then. Begin again.

Last week, True Love and I went out to hear Billy Collins at Coolidge Corner and found ourselves in a huge crowd of eager listeners. His delivery is soft-shoe casual, and dead-on funny. There is more to his poetry than a good laugh – but gracious, doesn’t that count for a lot? We soared out of the theater, still tickled, and also reminded that anything at all is fair game for thought and writing. The sticky honey dripping down the squeeze bottle at the café? The loud-voiced woman quoting recipes and ancient advice just beside the coffee? The child who proclaims loudly that she likes soup? No problem. All of it, ripe for thought and expression.

I’ve mentioned in the past my habit lately of reading poems first thing every morning. What a way to begin again! Just finished Kate Barnes’ beautiful “Kneeling Orion,” and am now reading Mary Oliver’s new book – a gift from dear poet-friend Cheryl – “Red Bird.” And of course I’ve done two readings of my own in the past few weeks – one at Assumption College and one at Sweet Sue’s Bakery in Arlington. Both times I have been so moved to connect with friends old and new over musical language, and particularly because of the poems I’ve shared about love, family, loss, and beginning again. As Seamus shows through his Aenid poems, these are regions everyone travels at some stage of their life. And poetry with all its potential for connection, exploration, and celebration, helps us begin again, no matter where we are now.

There is one more launch party for “The Harp-Boat” in Saco (16 October), and after that, the month of celebration will be over (though the happiness of seeing this little book in the world will, I suspect, live in me for a long while to come). But afterward, it will be time to take up new projects and learn new lessons, and with all the promise and eagerness the phrase carries, as well as the courage it requires, to Begin Again.

Hope you are enjoying the Getting Started, the Keeping Going, or the Beginning Again – wherever life finds you right now.

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