The Green Wave

June 29, 2008

Ghosts on the Road at Evening

Filed under: Music — kate @ 11:53 am

Yesterday I finished making a new song of that name. My habit these days is to work and polish, re-play and re-think, and generally keep messing around with a song until it feels ready to be recorded. Then I pull out the cord of my little microphone, plug it into the antiquated mini-disk recorder (which seemed so cutting edge to me just a few years ago; but you know what? It neatly does the trick for me), and bang out a rough version.

It’s great fun, especially when the kitten, sensing my concentration from some distant corner of the house, comes dashing in to “help” me improve the song with a few thunderous crashes. He also likes to change the mode so that suddenly I’m no longer playing piano but have switched to, say, marimba. It’s his way of spicing things up! But even though I was nearly finished with a pretty good draft, it is impossible to be mad at him. Standing on the piano keys he blinks his eyes at me as if to say, “Yes, I just knew you’d be so happy to see me, Kate. And didn’t I make your song better?”

I take help wherever it’s found.

It’s a good time for help and music. This is one of those blessed times when melody flows through me, words come, things weave together. My fingers are discovering new territory, new tricks, and even, to steal a yoga phrase, asanas to breathe into.

The new song springs from the folk belief that ghosts cannot cross running water. Unlike kittens, who can cross anything!

June 22, 2008

Brides & Grooms, Flies & Swans

Filed under: Music — kate @ 12:12 pm

Yesterday I played my first solo wedding with the big, beautiful harp. I loved it! Beforehand I was a puddle of roiling nervous energy, much like the puddle of roiling nervous energy out of which the mythical Étaín was born as a fly (if that makes no sense at all to you, no worries; but if you’re interested, check out the early Irish tale, Tocmarc Étaíne, or “The Wooing of Étaín.” Or skip the years of learning early Irish and listen to my collaboration with Tim Janis, Étaín. Come to think of it, though, we didn’t go into the odd metaphysics of transformation via steam. We spent more time on the woman-becomes-swan theme, which I’m sure you will agree is much more picturesque. So you may need to learn early Irish after all!).

Anyway, I was nervous. Did I have enough repertoire? Had I chosen a good song to accompany the bride on her mythic walk to join her groom? Would anyone come to me and say, “Clearly you have not studied formally, as it’s clear you have zippo technique and are merely inventing your own as you go along!”?

Happily, I had plenty of repertoire. I played longer than asked because I enjoyed it so much. The song I chose for the bride’s procession is a beautiful Irish song, Ar Éirinn Ní Neosfainn Cé hí, (For Ireland I wouldn’t tell you her name), and she and her dad – a friend from town who chairs our local arts committee – walked with grace and beauty to meet the beaming groom. And no, no one accosted me for my lack of training or technique. Quite the contrary, I’m glad to report!

I recently found a journal entry from a rather dark period of my life. I had just started teaching writing at Harvard, and I felt overwhelmed, overworked and full of anxiety much of the time. I moved timidly. I flinched. And yet, I also sent out poems, did my best to play music out in the world, and kept writing and making things. I wrote in my journal that even with no confidence at all, something essential in me just keeps going – almost as though dismissing the inconsequential buzzing of a fly. “Yes, I know you’re scared. Yes, I can see you’re nervous to sing this today. But just come over here for a minute and write down that poem. Yes, put your name on that open-mike list. Yes, you can keep buzzing about how nervous you feel. Don’t mind me: I’m over here creating quite happily.”

And so yesterday was a wonderful day for me, another milestone of trust. That buzzing fly-voice that worried and fretted diminished to a drowsy hum. Will it ever disappear entirely? I don’t think so. But nor will that other part that just goes on creating, making, inventing, and daring: that’s the swan. So many ways of flying! It’s what wings want to do – and I mean to let them. Hope you will, too.

June 15, 2008

Not Knowing

Filed under: Music — kate @ 6:13 pm

You know, not knowing can be so powerful. If you don’t know that you can’t do something, or that it should be more difficult, more expensive, or more complicated, you can sometimes sail right past the rocks and make your dreams come true.

That’s what I learned today at Wellspring Studio in Acton where a team of musicians spent the day working on a recording of songs aimed at supporting and encouraging the parents of at-risk kids. The project is the brainchild of Charlie Appelstein, a man whose motto is, “No such thing as a bad kid,” and who has devoted the last 25 years to helping kids everywhere live better lives. But here’s the thing about Charlie: he’s not a musician. That is not to say that he doesn’t have talent or ability. After all, he wrote the songs for the CD (and for the previous one, called “One-Line Raps for Girls and Chaps”). He is even a nice singer (I thought) – but when it comes to studios and recording and arranging music, he is at sea.

But does that matter? Not a whit! Charlie enlisted his cousin, Bo Veaner, to help him gather the musicians and arrange the music, and then he booked the studio with the idea that he could get most of the recording done in two days. Two days! To me and other musicians who work for months on their CDs this seems unthinkable, but guess what? When I left today, the gang was gearing up to record the last song. And then, as Charlie told me happily, they’ll have the summer to mix and master the CD and it should come out in September. I was amazed and inspired by Charlie’s faith in his vision. Turns out, he’s the one with the studio savvy after all.

What a great lesson: just do it. Don’t hem and haw, fart around, or make a flowchart. Call up your inner Charlie and get cracking.

June 1, 2008

The Ballad Singer

Filed under: Music — kate @ 6:23 pm

I wrote this after a session at the NEFFA (the New England Folk Festival) where a very gifted ballad singer sighed and sipped through her concert – an odd mix of dour and uplifting. I thought she seemed somehow weighed down by all this past, all this heavy inheritance. She was not a joyful entity, and so I found myself wishing she could sort of bust out into her own song.

The ballad singer

lugs in a thermos of throat magic
a tiny flask of Jameson’s
and a thousand pounds
of murder ballads
coiled around her neck

what her grandmother said
is her life’s ballast
that keeps her ship tied up
to the ancestral mooring

so many meetings at the bridge
cruel fate made the lovers miss
so many drinks of poison
and fathers forbidding entrance
on a winter’s night

she is henpecked by plots
and aphorisms

ballads have made her fat

after this show
maybe she’ll hit the bar
buy the big bottle
and sing her own song

the one she snipped off
from history

made up on the spot

Kate Chadbourne
26 April 2008

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