The Green Wave

July 25, 2010

Mothers & Thunder

Filed under: Celebration, Music, People, Storytelling — kate @ 12:21 pm

I got to play a concert up in Portland this week as part of Lynne Cullen’s Seanchai Nights series at Bull Feeney’s Pub.  I love that room with its round stage, tall windows, and Irish quotes painted high on the buttery yellow walls.  It seems like the people who come are always ready to sing and to laugh and to dive down into the stories with me.  I love them, and this time was no exception!  I met a great young family with three kids who looked like wizards (the youngest of them is building a harp and learning Gaelic), a bevy of storytellers, an old friend I hadn’t seen in at least 20 years, and a crowd of spirited party girls, among others.  One of my first employers (for baby-sitting, window-washing, and cocktail-party-tray-passing) was also present, and remembered that I used to sit on the hill behind her house and read poetry.

But this visit was made even more special by the appearance of a special guest and her entourage:  my mother and her friends.  They filled an entire long table, and they sang and smiled throughout, and warmed me to the core.  And to see my mother there among them, laughing at my antics and learning to sing those Irish words – well, that is a treasure to me.  This is a rare occurrence.  In fact, it has only happened once before when I hosted a party to celebrate the release of The Harp-Boat.  And yes, even at my age, it matters to me very much that my mother likes what I do, that she sees the value of what I offer.  And that night, she did.

Sometimes, everything goes right.

That blessed night, there was a strapping lad at the bar who gallantly carried the piano up those winding stairs.

The traffic cop softened and tore up the ticket he was writing for me.

The room filled up and every chair hosted someone lovable.

And just at the right moment in one story, just when I said, “She sat up in bed and said, ‘Lord, God, what is that noise?’” the thunder boomed over the sea behind me.  Thunder & lightning as collaborators = amazing!

And my mother came.  Did I mention my mother came?

A wonderful night.  Lucky, grateful, amazed, delighted, inspired me.

June 13, 2010

That Look

Filed under: Irish, Music, People, Spirit — kate @ 1:01 pm

Yesterday I played four mini-concerts of songs & stories for kids at the Worcester Irish Music Festival.  Despite the rain, there were still spirited crowds splashing through the puddles, gathering under the tents, and bellying up to the bars.  Inside the hall, the kids were wild and lovable, ready for stories and dancing.  I gave them a bit of both, telling some of my favorite tales and then, when a few kids could not contain the urge to run, just playing a jig on the whistle and watching with delight as they ran round and round in a circle on the dance-floor.

I love encouraging everyone to sing and so taught a fair number of chorus songs.  One of them was “Soldier, Soldier” – a great song in which the young maid asks the young man to marry her but he protests because he lacks the right clothes for a wedding.  The kids yell out what they think he needs – usually things like “a hat!” or “socks!” but yesterday that included “a visor” (by one little boy wearing, yes, a green visor which he deemed essential equipment) and the crowd favorite:  “Boxers!”

One little girl, Grace, participated in this song-game with a special intensity that I recognized right away.  She watched me like a hawk, she clapped along, she quickly learned the words – ALL of them, too, and not just the choruses – and when I asked her to sing, she jumped in feet-first with a blend of passion and enthusiasm that inflamed my heart with a protective tenderness.  As the Irish say, Aithníonn ciaróg ciaróg eile, “One beetle recognizes another,” and I recognized her:  Singer.

I asked Katie O’Neill, a splendid singer and one of the festival organizers, if she’d noticed Grace.  “Oh, yes,” she said.  “She’s hooked.”

Later, I met her parents and told them what we’d noticed.  They were delighted and proud and not too surprised, which is wonderful.  They really see her, thank heavens, and I bet they’ll give her every chance to do what she loves.

I don’t have children, a choice I’ve thought and re-thought hundreds of times.  Sometimes this choice seems to leave me out of life’s largest motions and movements, its greatest dramas and joys and sorrows.  Sometimes I accuse myself of terrible things because of this – of laziness or cowardice, to name just two things (though I should say that I did try for a time; the trouble is, you can always try harder, take more extreme measures, or adopt, and in the end, I decided against those things).  Other times I feel proud to have stayed true to myself despite the huge weight of general expectations, the subtle and not-so-subtle pressure by well-meaning people, their questioning and bewilderment.

But when I see a girl like Grace taking wing, or any young singer, poet, writer, or creator, I feel that I do have a place in the greater Family.  My job is recognizing “that look” and helping a little to inflame those passions, that self-trust, that questing, beautiful spirit.

In Committed, Liz Gilbert gives childless women a brilliant and self-respecting name, “The Auntie Brigade.”  The Aunties of the world provide those extras that can make a difference – the extra attention, books, time, treats, and love that help young people (and everyone, for that matter!) to thrive.  I love that, and I’d like to go one better and remove the gender filter because this idea pertains to childless men, too (even though they don’t bear the same stigma we do).  After all, the great Merlin didn’t have a son, but he taught Arthur everything he knew about magic.

We seasoned creators are the same, I think.  When we look at a crowd and see the one face that is enraptured, something very essential in us wants to foster that spark.  When we do, even for a moment, even just by recognizing “that look,” we foster it in ourselves all over again.  The living line of singer-to-singer, creator-to-creator is nourished, and we get to witness the great hope of another person coming into her magic.

I’m wishing you a magic life, Grace, and all the pleasure and power of your own magic.  Sing out, Singer!

March 7, 2010

Blessings of the Green Days

Filed under: Celebration, Irish, Music, Spirit — kate @ 12:47 pm

If we’re friends or if you look at my performance schedule (which probably means we ARE friends), you know that I’m about to enter my busiest time of the year.  I am a lucky duck to have all these chances to do what I love best and also to share music with so many musicians I love and admire.  I am blessed to be able to really celebrate this season of Irishness and to help other people feel included in it, blessed by it, uplifted by it.  Lucky, lucky girl!

You might be surprised to learn, though, that I tend to get nervous at the start of all this bounty.  I can engage in very crazy thinking on the cusp of such opportunity.  If I’m not careful I can talk myself into feeling that I’m not up to the task, that I don’t have enough fresh repertoire, that I’ll get sick with all the driving and racing around, that there isn’t enough time to do things well, that I’ll disappoint listeners or myself… I could go on longer, but I’d rather not.  These fears and nagging whispers are not what’s important.

What’s important is what I hope:

  • I hope that the music, stories, and poetry I share help people feel that the beauty of the world belongs to them.
  • I hope that my performances bring pleasure, respite, engagement, fun, and warmth to my audiences.
  • I hope for moments of wit and levity, for moments of sweetness and warmth, for moments of imagination and the opening-up of possibility.
  • I hope to feel, at the end of this little “tour,” that I have really celebrated the vitality of what I love:  connection, inspiration, courage, humor, imagination, warmth, and a certain jauntiness that looks right into the face of fear or heartache and says,

“Be that as it may:  here’s a little tune I invented for the occasion!”

February 28, 2010

Mistakes

Filed under: Music, Poetry, Spirit, Storytelling, Writing — kate @ 2:43 pm

I woke up thinking about mistakes because – well, you guessed it – I’ve made a spate of ‘em recently.  At a concert on Friday night, I bungled some harp parts.  I tripped over a wire.  I forgot an important (and funny) detail in a story I told.

Was the performance ruined?  No, it wasn’t.  And did I do do other things well?  Yes, I did.  But what woke me up this morning?  The memory of my mistakes.

I make mistakes all the time, but only some of them rankle.  In my Irish classes, I regularly forget a word or mess up a spelling.  As a writer, I occasionally revisit my essays or poetry and find something that is over-written or factually wrong.  In my performing life, I miss notes, chords, words, and even whole verses from time to time.  But many of these mistakes are easy to laugh off, excuse, or forget.

So why do some mistakes feel so important?  Why do some of them char into memory and leave that awful burned smell in the mind?

I recognize the big-deal variety by the kinds of things I hear in my head:

  • I should be past that by now.
  • I should have known that.
  • I can’t believe I did that in front of her.
  • Now they’ll think they wasted their money.
  • Now they’ll know I’m nothing special.

The killer mistakes – or the ones we allow to turn into killers – are rooted in shame and vulnerability.  We feel we should have known that fact, or that we should be beyond getting so rattled by a funky microphone, or that a really good musician doesn’t make such slips.  From there, it’s only a short step to:  “I know less than I should know.  That means I only appear to be an authority.  That means I’m a fraud.  That means that I’m deceptive.  That means that I’m worthless.”

Ouch.

The other kind of mistake is more like a sneeze than a deadly virus.  I recognize them when I hear these things in my head:

  • Well!  That was silly!
  • Gracious, I’m just tired tonight.
  • Oh, well, I didn’t hear her right is all.
  • Oh!  Now I understand!  They wanted this and not that.  That’s easily fixed.
  • No biggie.  Anyone could forget a thing like that.

These mistakes seem unattached to me somehow.  They are simply a part of the weather – external, natural, changing, neutral.  I don’t take them to heart.  Yes, they are often smaller (like missing a single letter in an Irish word, as opposed to forgetting a pivotal concept), but they don’t touch my self-respect or my notion of myself as competent and worthy of people’s trust.

So the big difference between the ranklers and the non-ranklers is my own idea of who I am and who I should be.  Like so many things, this is a story I tell and a style I choose for telling it.

I could tell a new story about a woman with a huge thirst for life who takes on millions of creative, artistic, and scholarly projects.  I could say that this thirst for life is more important than being right all the time.  This desire to use all the gifts and try out the wings and test the skills necessarily means there will be some mistakes and failures.  I could gently pry away the shadow of shame by respecting the attempt more consciously.  I could re-imagine mastery as a fluid process, rather than as a static destination.  I could decide that mistakes are the buds that flower into something new.

Even as I sometime writhe over my mess-ups, I’ve always believed it important to live a life marked as much by mistakes, attempts, and experiments as by success, achievement, and mastery.  Otherwise, one’s tenancy on Planet Earth is rather dull and uneventful and we never even try to use all the fantastic equipment we came with.  Living that way is like falling out of an airplane and refusing to pull the parachute ripcord because it might not work.  There are many things worse than failing.

Not failing, it turns out, is one of them.

And since I’m in no danger of that, I’m a success!

February 21, 2010

Library Dreams

Filed under: Music, Pleasures, Poetry, Storytelling — kate @ 2:03 pm

Last Friday I had the wonderful chance to perform an hour of songs & stories at the West Springfield Public Library as part of their lunchtime concert series.  The people who came were delightful:  they munched their sandwiches and sipped their tea in between grinning and clapping, and occasionally, obliging me by trying to say or sing some Irish words.  It was a great pleasure to spend that time with them and also to find myself, once again, making music in a library.

I hadn’t realized how much that meant to me until then, nor how long this combination of libraries and performing has been in my dreams.  Like many things in life, you look back and all at once see the tracks leading to where you are now; you’ve been making them without fully understanding what you were doing.  But there they are!

These last two years I’ve gotten more and more chances to give concerts in libraries. I remember that my first library came close on the heels of a particularly disastrous attempt to play at a bar.  The place was altogether too cool for me, too laid back, too dark, and too distracted.  “Know thyself,” commands the ancient Greek Delphic oracle.  Well, OK, then.  I’m really not that cool and I rarely find myself in a bar, and I spent that evening battling upstream with a tea-spoon instead of a paddle.  I wasn’t at home.

In the library, on the other hand, I am happy in a familiar temple with its cherished holy items (books and maps) and its priests and priestesses (the librarians).  I’ve been a library-goer all my life, finding solace in their silences and dignified spaces, and finding delight and instruction in their books.  My life opens up as I scan shelves or pore over the card catalog (yes, I’m a fan of those old magic boxes – but I also love the new wizardry of keying in a search and receiving the instant rewards).  Libraries have always provided me with the particular shelter my soul most requires:  gentleness, learning, curiosity, and the understanding that the world is waiting to open its pages to us.  All we must do is ask.

When I was young, my mother and I used to attend concerts, plays, and poetry readings at our local libraries (the Dyer in Saco and the MacArthur in Biddeford).  Those nights glow in my memory.  Our libraries, usually quiet places, bloomed into life and merriment.  I can remember a night when the the MacArthur was so full of people that I sat on the floor to leave my seat for someone who needed it more.  This afforded me the thrilling advantage of being even closer to the performers – Northeast Winds that night, I think – and getting to watch their hands and even notice their set list, taped to the floor.  I watched them quietly negotiate changes to the list and share a private joke.  An inside view:  I loved that!

I think I loved it most of all because it brought together the things I loved best:  music, books, poetry, learning, art, kindness, and festivity.  These are still my favorite things (apart from moons and oceans and birches and apples which best fit in libraries in the pages of books).  Watching those concerts and plays and readings, I lived two lives:  in one, I just soaked up the beauty of what was offered.  In the other, I dreamed that I could be that person making music or reading poems there in that most perfect of concert halls:  the library.

And now in the beauty of life and all its winding and mysterious ways, I am.

Isn’t that rather wonderful?

The West Springfield Public Library

December 20, 2009

Irishy Things

Filed under: Irish, Music — kate @ 1:07 pm

Just a quick hello today and to tell you that two of my wee articles on Irishy things – the Irish language and the Irish harp – are available on line at Encyclopedia Britannica. Here’s the links in case you’d like to read them:

The Irish Harp

The Irish Language

December 6, 2009

If you can’t sing…

Filed under: Music, Poetry, Spirit — kate @ 12:43 pm

I’m fresh out of vocal cords today: no singing for me today at the benefit concert for my dear friend Kathleen’s uncle. Instead, I’ll be blowing the flute (and sipping throat coat between tunes), strumming the harp, and tickling the ivories.

Lately, some days I haven’t felt up to doing even those things, so I’ve stayed in bed, written poems.

And when I don’t feel up to writing a poem, I think about words.

And when words seem distant, I imagine beautiful things.

I can always imagine beautiful things. I am an expert day-dreamer. I am an artist of lovely inner visions.

If you can’t sing, why not fly?

Photograph by Kathleen Callahan

Photograph by Kathleen Callahan

November 29, 2009

Is that the way you look?

Filed under: Music, People, Spirit — kate @ 4:30 pm

Home for the holidays this weekend, I was amused to hear my uncle describe, in disparaging tones, the wild hairstyles and pierced lifestyles of musicians. Pink hair came in for particular censure for some reason. I wondered just how many of these wild characters he has really encountered, and also why anyone would remember hair more than art. But c’est la vie, n’est-ce pas?

I had been telling my cousin Tom (a dear friend of mine and a passionate musician himself) about my recent show at Berklee, and how thrilling it had been for me to perform there. Tom spent some time at Berklee years ago, and I knew he’d be pleased because he knows what a vibrant and exciting place it is. But threaded through my excited description (“I got to sign my name on the wall in the Green Room!”) were my uncle’s comments about weirdo musicians and their outlandish appearances.

I wasn’t too fussed, to tell the truth. I’ve heard all of this before, and my main response has always been that people who focus on this stuff are missing the point. They have ignored art and energy and focused instead on the most superficial aspect of what’s on offer. I have sometimes felt a bit sorry for them because they seem untouched by the great invigorating gusts of life that blow through music and art.

But today, I am reconsidering my rather condescending view. Those people with pink hair and studs in their eye-brows do NOT look like my uncle, and so he draws attention to the difference. But what I think he is getting at – though not in so many words – is that they don’t FEEL like him, either. They belong to a different tribe with different ethos, expectations, desires, priorities. I think this baffles some people who find themselves squarely in the majority and who have never much experimented with new or different identities. Stepping outside that warm central place just seems odd, dangerous, and even willfully self-destructive. Why would you do it? Come inside with us where we know what life is all about – and we’ll tell you in no uncertain terms how to live it!

When I was in high school I took to drawing a black star under my left eye every morning. This garnered all kinds of responses, from the mocking to the admiring, from anger to acknowledgement. At the time, I wasn’t really sure why I did it. But now, many years later, I think it was a non-verbal way of announcing to the world AND to myself that I wanted something more than safety, that I prized the unexpected, that I was already enamored of symbols, and that I saw myself as a creature separate from that consensus way of life.

In short, I think that’s when I began to see myself as an artist.

Now, years later, the star is long gone, but it did its work. It has been replaced by certain quirky garments and habits of mind which, while invisible, nevertheless leave their traces on my appearance and bearing.

J.B. Priestley offers a lively, loving description of the actors he recalls from his youth in his book of essays, Delight. Apply the spirit of this description to artists, musicians, dancers, or anyone you like, and I think you get a sense of that different tribe in splendid motion:

“In those days, actors looked like actors and like nothing else on earth. There was no mistaking them for wool merchants, shipping clerks, and deacons of Baptist chapels, all those familiar figures of my boyhood. They wore suits of startling check pattern, outrageous ties, and preposterous overcoats reaching down to their ankles. They never seemed to remove all their make-up as actors do now, and always had a rim of blue-black around their eyelids. They did not belong to our world and never for a moment pretended to belong to it. They swept past us, fantastically overcoated, with trilbies perched raffishly on brilliantined curls, talking of incredible matters in high tones, merely casting a few sparkling glances – all the more sparkling because of that blue-black – in our direction; and then vanished through the stage door…”

What I love about this is the obvious delight these actors took in occupying a separate role in their society. There are no limp-hearted attempts to “fit in” with the uncles of the world, nor apologies for eccentricity. No, these gorgeous creatures let themselves enjoy what made them different, and in doing so, that enjoyment lent vitality and nourishment to their art.

If you see yourself here, if you have been chastised for your differences, or if someone has told you “for your own good” to take off those bizarre shoes or tame that pink hair, let me encourage you to keep faith with who you really are.

Let me link arms with you and sail up the alley in our billowing coats and huge dreams. And then, pleased with ourselves, let’s vanish through the stage door and get busy making art!

November 22, 2009

Your Musical Blood-type

Filed under: Music, People, Pleasures — kate @ 2:31 pm

On Friday night, my friend Bo Veaner and I played three hours of music for a wedding rehearsal dinner, though to me it seemed no more than 20 minutes or so. The time flew by in a happy blur of song after song, of listening and harmonizing, adding harp to Bo’s beautiful original songs, and in one moment of unexpected pleasure, belting out The Beatles’ song, “Oh, Darling!”

Our rehearsal for this three-hour extravaganza consisted mainly of conversation and a quick run-through of perhaps four or five songs. And then off we went to the gig, happy and curious about how it would all turn out. Brilliantly, as it happens, because we just had so much fun discovering what we could do together. We played and experimented and suited ourselves. The guests enjoyed it, and even danced at one point when we played “Goin’ to the Chapel” (a brilliant inspiration of Bo’s), and we emerged at the end of the evening in a daze of gratitude. Yes! Playing music all night is good for your health, for your wallet (nice to be paid), and for your belly, too, as we also ate a good fish supper as part of the deal.

And last night I joined my friends Ellen Schmidt, Debra Rocha, Cheryl Perrault and her daughter Abbie, and Michele Boule, for an evening of songs & poems at a local restaurant. Again, there was no rehearsal and the briefest e-mail exchange about the collaborative effort. And again, the evening was a delight – easy, natural, friendly, and completely stress-free.

I love working this way, but I recognize that not everyone does. Bo and I exchanged stories of other collaborations between people of different musical blood-types, by which I mean the Type A musicians who prefer to work out every detail beforehand, and the Type B musicians who love the seat-of-your-pants style of planning (which is to say, very little). Sometimes collaborations between these two types can be quite awkward and even unpleasant, as each strives to find comfort in the way most natural to him or herself. The planner sometimes resorts to control-fits or even to pulling out of the gig altogether. The seat-of-your-pants person resorts to casting gentle aspersions on the other person’s ability to just relax and play.

Mixing musical blood-types can feel like limping along, herky-jerky, in a three-legged race – hard to find a rhythm that works. There’s loads of good will, but loads of confusion, too.

Neither type is right, or better. It’s just the way we’re put together and the shape we’ve grown into.

But understanding this now, I deliberately look for musicians of my own blood-type and situations that support my natural inclinations. And if I get even a whiff of high-maintenance, stressy, or hyper-planning in the mix, I respectfully disentangle myself.

I do believe that each type can learn a lot from the other – a little more structure for my type, and a little more flexibility for the other type. But I also think that for musical transfusions – especially the three-hour variety – I’m best sticking with my own musical blood-type.

Popeye said it best: “I am what I am.”

Hey! What type do you suppose he’d be?

November 1, 2009

Birds & Branches

Filed under: Music, Poetry, Spirit — Tags: , — kate @ 1:38 pm

Last night’s fierce Halloween wind and rain ripped the last of the yellow and red flags from our trees.  Waking today and looking out at the stripped limbs of the maple – so lately this glorious golden torch – Shakespeare’s line floated into mind:

“Bare ruined choirs where late the sweet birds sang.”

That’s one of those lines of poetry which, as Seamus Heaney told us in a lecture a few years ago about the pleasures of memorizing even a little bit of poetry, act as nourishment and touch-stone throughout a lifetime.  I come back to it again and again.

Today, though, the line impressed me even more.  I had just been reading Stephen Nachmanovitch’s wonderful book on improvisation, Free Play, and his chapter called “The Power of Limits.”  Nachmanovitch is a violinist – and a cracker-jack writer, too, as it happens – and so many of his metaphors and examples come from the world of music.

Musing on limits that impose themselves in the lives of musicians, he proposes that far from hampering us, they actually spur us towards greater invention, playfulness, and creativity.  No one needs a Stradivarius in order to play soulful fiddle music.  No one needs a huge government grant in order to make their songs.  And even the limitations of our hands, our lungs, our mouths, and our stamina drive us to challenge ourselves into richer music.  Think of one-handed pianists who nevertheless play brilliant music, or even someone like Marilyn Monroe whose “small,” breathy voice caused knees to quake.

The point is to make something out of what you have to hand!

Shakespeare’s beautiful line is itself a perfect example of this principle. For what could be more limiting AND more creatively challenging than the sonnet form:  14 lines, 3 rhyming quatrains, and a rhyming couplet, and each line crafted in iambic pentameter?  But that, as you know, is not nearly enough.  It’s not enough to master the form and mechanics of the sonnet; that is merely the first step.

It’s never enough to master the form alone, any more than it is enough to merely possess the Stradivarius or the government grant (or even, to offer an example close to my own heart, the perfect writing shack.  Check out Dylan Thomas’ envy-inspiring writing shack on the banks of the River Taf in South-West Wales.  Weeks after peering through its window, and imagining myself sharing it with Dylan, I am still quaking with shack-lust…Oh, the poetry I could write in such a shack!).

No, even perfection of form is only the preliminary to real art.  Soul must be present, and genius, imagination, and desire.  Shakespeare’s line – and all of Sonnet 73 – is alive because imagination and spirit enter a dance with form and limitation.  He gives us the the branches AND the birds, and in so doing, he fashions a meditation on change and death that will itself never die.

In fact, his final couplet reminds us of the biggest limit we face, and our most powerful means to play with that limit:

“This thou perceivest which makes thy love more strong,

To love that well, which thou must leave ere long.”

Love, too, he tells us, is fed and inflamed by limitation.  Maybe it’s time to love the limits themselves?  We could be life-artists, riffing off our limitations, playing with void and emptiness and everything we don’t have to make greater art and deeper love. I think that really is how it works.  I see that today, and I am grateful as much for the no as for the yes.  Because even with a hundred no’s, I can make a powerful, resounding, artful YES.

Sonnet 73

That time of year thou mayst in me behold

When yellow leaves, or none, or few, do hang

Upon those boughs which shake against the cold,

Bare ruin’d choirs, where late the sweet birds sang.

In me thou see’st the twilight of such day

As after sunset fadeth in the west;

Which by and by black night doth take away,

Death’s second self, that seals up all in rest.

In me thou see’st the glowing of such fire,

That on the ashes of his youth doth lie,

As the death-bed, whereon it must expire,

Consum’d with that which it was nourish’d by.

This thou perceiv’st, which makes thy love more strong,

To love that well, which thou must leave ere long.

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